Rebecca

Rebecca is a 1940 psychological/dramatic thriller directed by Alfred Hitchcock as his first American project, and his first film produced under his contract with David O. Selznick. The film's screenplay was an adaptation by Joan Harrison and Robert E. Sherwood from Philip MacDonald and Michael Hogan's adaptation of Daphne du Maurier's 1938 novel of the same name, and was produced by Selznick.^[1] It stars Laurence Olivier as the aristocratic widower Maxim de Winter, Joan Fontaine as his second wife, and Judith Anderson as the housekeeper, Mrs. Danvers.

The film is a gothic tale about the lingering memory of the title character, Maxim de Winter's dead first wife, which continues to haunt Maxim, his new bride, and Mrs. Danvers. The film won two Academy Awards, including Best Picture out of a total 11 nominations. Olivier, Fontaine and Anderson were allOscar nominated for their respective roles. Since the introduction of awards for actors in supporting roles, this is the only film named Best Picture that won no other Academy Award for acting, directing or writing.

PLOT

The film begins with a voiceover of a woman speaking the first lines from the novel: "Last night I dreamt I went to Manderley again", to the images of a ruined country manor. She continues that she can never return to Manderley — as it no longer exists, except as a ruin.

Joan Fontaine plays a young woman (who is never named), an orphan, who works as a paid companion to the wealthy Edythe Van Hopper (Florence Bates). In Monte Carlo, she meets the aristocratic widower Maximilian (Maxim) de Winter (Laurence Olivier) and they fall in love. Within weeks, they decide to get married.

Maxim takes his new bride to Manderley, his country house in Cornwall, England. The servants accept the new Mrs. de Winter as the new lady of the house. The exception is the housekeeper, Mrs. Danvers (Judith Anderson), who is particularly unpleasant to the new bride. She is still obsessed with the beauty and sophistication of the first Mrs. de Winter -- the eponymous Rebecca -- and preserves her former bedroom as a shrine, even cherishing her handmade underwear and expensive négligée. Rebecca's "cousin" Jack (George Sanders) (who, as we only discover later, was in fact one of her lovers) appears at the house when Maxim is away, and evidently knows Mrs. Danvers well, calling her by the name "Danny", which was Rebecca's pet name for her.

The new Mrs. de Winter is intimidated by Mrs. Danvers and by the responsibilities of being the new chatelaine of Manderley. As a result, she begins to doubt her relationship with her husband. The continuous presence of Rebecca in the house starts to haunt her, and she convinces herself that Maxim is still in love with Rebecca. She discovers, too, that her husband has a fiery temper, and sometimes erupts at apparently innocent actions on her part.

Trying to act the perfect wife, Mrs. de Winter suggests to Maxim that they host a costume party as he used to do with Rebecca. Maxim reluctantly consents. Mrs. de Winter excitedly plans her own costume in secret, but Mrs. Danvers suggests that she copy the dress of Caroline de Winter, an ancestor, whose portrait hangs in the upstairs hallway. On the night of the party, Mrs. de Winter reveals her costume to Maxim, who is both surprised and angry at her, shouting at her to change her costume. Mrs. de Winter rushes upstairs, sees Mrs. Danvers go into Rebecca's room and follows her. There she confronts Mrs. Danvers about her knowing that Rebecca had worn the same costume at a previous ball. Mrs. Danvers retaliates by saying that she will never take Rebecca's place and almost convinces Mrs. de Winter to commit suicide. But Mrs. de Winter snaps out of her trance when a sudden commotion starts outside — a ship has been spotted foundering off the coast.

Mrs. de Winter (after changing her outfit) rushes downstairs to the front lawn, where she hears news that, during the rescue, a sunken boat has been found off the coast - with Rebecca's body in it. She spots a distant glow from the cottage on the shore and enters to find Maxim. Maxim admits to his new wife that he had earlier misidentified another body as Rebecca's in order to prevent discovery of the truth. From almost the beginning of their marriage, when Rebecca broke the news to him of her own promiscuous nature, he and Rebecca had hated one another. They had agreed to a sordid deal: she would act the perfect wife and hostess in public, preserving his family honour and her position, while he ignored her discreetly-conducted affairs. Rebecca, however, began to get "careless" after a while, for example disappearing for days on end to London and then returning as though nothing was wrong. Maxim was also aware of Rebecca's ongoing affair with Jack. One night, expecting to find Rebecca and Jack together, Maxim came down to the cottage. Rebecca had been expecting Jack. She told Maxim that she was pregnant with Jack's child. During the ensuing argument, she fell, hit her head, and died. Maxim took the body out in a boat which he then scuttled.

Shedding her girlish innocence, Maxim's wife immediately starts coaching her husband on how best to conceal the facts of Rebecca's death from the authorities.

In the ensuing police investigation, officials question whether the evidently deliberate damage to the boat pointed to suicide. Privately, Jack shows Maxim a letter from Rebecca urging him excitedly to meet her, which seems to suggest she was not suicidal. He tries to blackmail Maxim with the letter, but Maxim tells the police about the attempt. Maxim nevertheless comes under suspicion of murder and the second Mrs. de Winter must face the prospect of losing her husband. The investigation focuses on Rebecca's secret